The Fall in Icarus Saved from the Skies

June 22nd, 2009 § 1 comment § permalink

Fantasy & Science Fiction Aug-Sept 2009

Review issues of the July-August Fantasy & Science Fiction have gone out to bloggers; I’ve just gotten my comps. My thanks to editor Gordon Van Gelder for all his support and enthusiasm for Georges-Olivier Châteaureynaud’s story, “Icarus Saved from the Skies.” He’s opened a thread for comments on the issue here. The latest from him:

Now’s a good time to let your readers know the issue is out—copies should be on the newsstands, while subscribers who sign up for a year of F&SF will still start off with this issue.  (If you’re going to encourage people to subscribe, tell them to put a message in their order that you sent them.  I’ll give a cookie of some sort to anyone who persuades ten people to subscribe.)

Bloggers are already chiming in! Caren “spitkitten” Gussoff singles out in her review “a translation of a short piece… whose ending has all the punch of a tickle but bowls over in its restraint,” while Aaron M. Wilson at The Soulless Machine Review devotes a post discussing the inevitable Marvel mutant associations the story takes on in an American context, calling it “a train wreck of emotions that sends the winged-narrator over the side of a cliff. Don’t miss it.” Many thanks for the kind words!

The shift in cultural context brings with it an interesting, almost temporal shift in terms of dating subject matter. The notion of the person with powers who just wants to be normal is probably, because of comics, way more played out here than in France, but being normal doesn’t quite carry the same weight in a less markedly conformist society, where the choice is less either/or, the dichotomy between normal and not less damningly clear-cut. The normal lives Americans yearn for often involve some idealized happiness, itemized down to the last possession by our pursuit thereof—Superman’s corn-fed family fantasies, for instance. Many Châteaureynaud protagonists tend to want to be normal in a more retiring, passive, even self-effacing way; love and happiness don’t have to enter into it. His heroes and narrators are usually marginal, outcast dreamers and luckless, well-meaning Everymen. » Read the rest of this entry «

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